Monthly Archives: May 2016

A Mid-Life Perspective: Conversations with the Unconscious — Book Review

Breaking Jungian Psychology Out of the Ghetto of Intellectual Containment

by Klemens Swib

Individuation, the blossoming of individuality, is one of the major themes of Jungian psychology. Jung’s empirical observations of his own and his patients’ interactions with the unconscious contents of the psyche led him to conclude that the concept of individuation was a key to understanding and making sense of this experience. He also recognized the self-realization derived from this phenomenon inevitably gave purpose and meaning to his own and his patients’ lives. Individuation constitutes a force that allows us to develop our potential as both individuals and human beings.

Jung’s empirical observations led him to conclude that the blossoming of individuality particularly occurred during the second half of our existence. I unequivocally agree. I would only ask: how can individuality blossom before the individual exists? Ergo, the synthesis of the individual may well constitute the essence of the individuation process in the first half of the human life cycle. I believe Jung implied as much when he wrote of the young sometimes needing to be caustically disillusioned of their fantasies in order to focus on meeting the demands of adulthood. Establishing one’s own ‘individual’ position and place in the world is definitely a Herculean task taken on by the young.

In any event, Jung did not attempt to write a general theory of individuation. He had too much respect for this dynamic, living and open-ended concept to prematurely limit it to a simple and sterile formula that prospective analysts could memorize and apply by rote. He did, however, leave a record of his own personal encounter with individuation. He did so in his posthumously published Red Book. He also hoped others would follow his lead and record their own experiences with this phenomenon. In this way, a consensus and perhaps even a general theory of individuation could eventually emerge. To that end, he encouraged his patients to document their own personal encounters with the individuation process.

In his book, A Mid-Life Perspective: Conversations with the Unconscious (A Subjective Study of Science, Religion, and Consciousness)Evan Hanks has taken up Jung’s challenge. He has supplied us with a unique, retrospective take on his own personal individuation. It is his effort to make sense and deepen his understanding of the profound personality transformation emanating from that encounter — a subjective one as he indicates in his book title, and one that will undoubtedly deepen and extend our understanding of individuation. I will have more to say on Evan’s revolutionary and historic contribution to the study of individuation in due course.

Individuation not only transformed Jung’s personality and character but proved to be a primary source of his creative genius as well. Otherwise, he would not have attributed the genesis of most of his psychological concepts to ideas he originally formulated in the Red Book. The same applies to Evan Hanks. His experience of the individuation process opened up his own unique creative capacity. His metier lies in the realm of narrative poetry. Goethe is his heroic role model. Even a Philistine such as I can sense the beauty inherent in Evan’s poetry. Fortunately, he also included a descriptive, interpretive framework to support his poetic visualization.

“My head is crowded, night and day are one;                                                                     I search in vain the reasons for the things I’ve done.                                               The lion’s courage in my heart I thought was real                                                       Is now the frightened victim of the pain I feel.                                                               dark entanglement surrounds the steps I take;                                                             I stumble through the maze of each new choice I make.                                     Emotions once repressed have broken through their guise;                                       Faces once familiar I no longer recognize.                                                                       A strange force has turned around the world I used to know;                                 Right is wrong, the sun is gone, the stars are down below.                                 The mannequin of yesterday lies far behind me:                                                       The tattered remnants of a man who once defined me.”

At this point, I would be remiss if I failed to re-emphasize that Evan Hanks’ work is a retrospective effort to make conscious sense of a life-altering psychological transformation. It is a subjective effort, and there are times the reader may temporarily lose sight of the trail. With that said, this particular Philistine’s own incapacity for poetic visualization may be the ultimate source of this critique. If not, individuation is a mystery: a mysterious blossoming of individuality occurring in the second half of the adult life cycle, and one that gives meaning and purpose to an individual’s existence. Yet, it is an experience that is so profound, far-reaching and transformative that the uninitiated may not always be able to fully follow the writer’s effort to integrate it.

So, what makes Evan’s book a revolutionary and historic document? How will he deepen and extend our understanding of individuation? It all stems from the intensity of his poetic perception. That will ultimately provide us with the battering ram to break Jungian psychology out from the ghetto of intellectual containment it currently resides in and into the literary and civilizational mainstream.

In the first part of the chapter, An Objective Evaluation, Evan mercilessly and relentlessly exposed his perceived failings as a human being. His critique was so intense and visceral, it vividly reminded me of another powerful self-critique I had previously encountered in literature. In the Notes from the Underground, Dostoevsky’s central character performed a similar searing, self-analytical deconstruction. There is no way around it. The persona and the maladapted and collectivist aspect of the ego must give way before individuality can blossom. I fully understand where Evan and Dostoevsky were coming from. However, this led me to wonder whether Dostoevsky documented any other aspects of his own encounter with the individuation process.

Dostoevsky’s very next major publication was, Crime and Punishment. Gone is the 40-year-old Underground man, and a university student of exceptional talent emerges onto the stage. Yes, there definitely was a lot more to the underground man’s self-flagellating character than one might first imagine. The new hero’s youthful character is attributable to his individuality which is just beginning to blossom. He lives in an era before the concept of the unconscious was fully elaborated. Thus Dostoevsky placed the struggle to individuate within a real-world temporal context. As Edwin Muir succinctly put it:

Dostoevsky wrote of the unconscious as if it were conscious; that is in reality the reason why his characters seem ‘pathological’.

His hubris and his poverty lead him to commit a morally reprehensible crime. This is a literary character you must remember; one Dostoevsky undoubtedly was using to make sense of his own encounter with the individuation process. Heinous as his crime was, he did not feel guilty over murdering the pawnbroker. He was a superior man — a future Napoleon in desperate need of ‘material’ sustenance — and he would perform many benevolent acts to compensate for his transgression. Yet, his action propels him into an unbearable world of suffering and pain. He doesn’t understand why. How could a superior human being, a veritable Napoleon, be tripped up by his own superior prerogative?

During the course of his mad meanderings, he meets his beaten-down anima projection, Sonya. She eventually helps him to admit defeat and accept his punishment. Only after he is imprisoned does his rehabilitative transformation begin. He finds his faith and then starts the long journey toward his own resurrection. The Jungian characters are all there: the shadow, along with the moral dilemma it inspires, the anima, the psychological change and turmoil of life-altering intensity. Dostoevsky had the genius to depict the life-altering, transformative state of mind of the individuate. Jung also experienced tremendous psychological turmoil during the initial stages of his own individuation. This turmoil led him to question his own sanity.

Connect Jung’s and Dostoevsky’s acknowledgement and understanding of the individuation process together, along with Evan Hanks’ and a host of other individuates’ accounts, and we are well on our way to breaking Jungian psychology out of the ghetto of intellectual containment created by mainstream academia and the psychological establishment. Evan Hanks’ pivotal role in the process makes his book, A Mid-Life Perspective: Conversations with the Unconscious (A Subjective Study of Science, Religion, and Consciousness), well worth the read.

Klemens Swib is the author of, Dionysos Archetype of Individuation.

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Individuation (How Do You Catch a Wave Upon the Sand?)

I always loved the Sound of Music. I loved Maria especially because she was not a normal nun; not that nuns are normal, either — at least not from a natural perspective. But, I was raised with a very unnatural perspective which drew me to her warmly compensatory character.

Maria wasn’t normal in any way — not even as a seamstress. How I admired her practical and inventive conservation of existing resources (though the family was quite wealthy, she anticipated the short-sighted greed and waste inherent in the modern marketing concepts of built-in obsolescence) when she sewed the children’s play-suits from the drapes that shielded the Captain’s projections of a regressive developmental phase onto them — thus bringing the harsh conditions of an effete patriarchy into the open light of scrutiny.

Her selfless dedication to the task of balancing an emotionally estranged single-father family unit with her much-needed feminine side allowed the children to differentiate themselves from the negative spirit-image of a dictatorial, militant pre-WWII Austrian commandant saddled with the then-current cultural charge of molding an untamed brood of human primates into a tightly disciplined corps of paranoid, misogynistic aggressors. She keenly foresaw that, without her help, their innocent, unknowing little natures would unconsciously seize upon the compensations and later make them sick like the Captain.

As a youth, I couldn’t identify with what I interpreted as the sissification of the boys and the rote collectivization of the children in general by the uniforms they donned gleefully amid her light-hearted song. But, what good are uniforms if they’re not all the same? Though, I later began to connect with the evolutionary implications of separating from an obsolete spirit-father-complex, it seemed to me then that she was robbing Beelzebub to pay the Devil.

But, those were extraordinary times; change was in the air. Maria sensed that the children would need a positive unisexual group-identity in the social crisis to come. What appeared to my young mind as the boys’ “sissification” was actually an intuitive attempt to fortify a developing male ego and prepare it, not only for resistance to an exaggerated masculine zeal which led to a terrifying new age of nuclear warfare, but also for a monumental cultural transition that would turn existing ideas of gender equality upside-down.

Little did I know then that she was gently but surely guiding the boys and girls alike through a temporary stage designed to liberate them from the historical warrior-ego’s regressive authoritarian structure and open them to the new vistas of an ego-consciousness released from its primitive heritage. She intuited the apparently peaceful but rigidly enforced group conditions as an unconscious complicity to the Nazi extreme of unquestioned patriarchal duty which, due to the laws of instinctual nature, was bound to spiral out of control in a desperate attempt to destroy itself for the sake of humankind.

She smashed apart a petrified world of tradition, not with the club of vengeance, but with the ardent, soulful weapons-which-are-no-weapons of song, poetry and emotion — plus the instrumental accompaniment of the finest and highest-paid musicians Hollywood greed and nepotism could muster under the auspices of an egalitarian, commercially-driven form of instilled propaganda which believes in its fantasies such that it would float an overdone show-biz extravaganza off as a romantic representation of a stupefyingly horrific period of human history to make money off it.

Still, the smarmy, loose and sentimental story was enough to make it one of the greatest musicals ever. For, underneath it, Maria’s sturdy and unflagging sense of individuality not only freed the children from the monster of unchecked patriarchy, it transformed the very character of the monster itself.

She shattered the deeply entrenched values of convention by innocently and benignly, yet knowingly, methodically destroying the Captain’s engagement to the rich, haughty, self-absorbed socialite and wicked step-mother figure with a mature facade who sank his moody anima-possession, along with the children, only further into an over-idealized romantic and regressive steep of hierarchical oppression which had stunted emotional growth in men and women of all sexes for generations.

Though her own dark night of the soul (her sexual affair with the Captain was a source of deep torment) was sanitized for purposes of mass appeal, we know that she suffered much beneath her courageous pose of gaiety. We suffered that gaiety with her. But, what people cannot comprehend of the suffering of life cannot be thrust upon them all at once in raw form. How they would grieve! What first appeared as an ostrich-like optimism, later revealed a steady resolve to confront the ineluctible demands of psychic evolution head-on.

She not only lovingly coaxed a brute animal out of the darkness of instinctuality and into the light of soul and relationship, she rescued a regressive single-parent family from the dark throes of the most stultifying and inhuman regimentation — and she enlivened the spirits of a generation in despair. Plus, she had a great voice and was pretty, too.

One of the things I used to ask myself in my youth was how she ever got to be a nun in the first place. Hers was an exemplary tale of individuation which few students of human nature acknowledge.  How do you achieve such breadth of personality from such humble beginnings?  How do you embody the healing psychic processes of a generation lost in transition in one unfathomable screen performance? How do you solve a problem like Maria ? 

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